Talking with her was like chatting with a friend.
What began as two or three minutes of her zany twist on life evolved into longer interviews with celebrities, including Zsa Zsa Gabor (whom she interviewed in Zsa Zsa’s king-size bed) and comedienne Phyllis Diller.īut regardless of how famous or important her interviewee, Erma never played the interrogator. “Good Morning America” hit the air in 1975 with easygoing David Hartman heading up the odd mix of characters Bob Shanks had harnessed.Įrma’s stint on “Good Morning America” lasted eleven years. She said, “Yes.” Erma’s decision proved a good one. He asked her to do two- or three-minute humorous “bits” and promised that her portions of the program would be filmed in Phoenix. While Shanks seemed to agree with Erma’s assessment regarding his state of mind, he was convinced that the concept would work, and he wanted her to be a part of it. Erma’s response? “I can’t imagine all those people in the same country let alone on the same show. Jack Anderson (a syndicated political newspaper columnist), Rona Barrett (her beat was Hollywood), Jonathan Winters (a roly-poly comedian), and Geraldo Rivera.
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With “Good Morning America,” he hoped to create a program that informed and entertained at the same time, one that provided women with advice and ideas on how to run their homes.īefore talking to Erma, Shanks had already assembled a large and impressive cast, including David Hartman (who had starred in a TV western called The Virginian), Nancy Dussault (a television actress). Yet with no programming to challenge it, “Today” continued to pull a sizable audience.īob Shanks took up the challenge. NBC’s “Today Show” had been sounding the public’s wake-up call since 1952, but according to critics of the time, it had grown predictable and dull.
Soon after The Grass Is Always Greener Over the Septic Tank hit the best-seller lists, Erma received a call from producer Bob Shanks, who was putting together a new television show for ABC. AMERICANS WAKE UP TO ERMA’S HUMOROUS SPIN ON LIFE’S ORDINARY MOMENTS.
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